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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :John Maclaren (Veteran Scientist), Tamlyn Tomita (Janet Tokada), Kenneth Moskow (Bob), Russian Astronaut), Jay O. Sanders (Frank Harris), Arjay Smith (Brian Parks), Mimi Kuzyk (Secretary of State), Dash Mihok (Jason Evans), Dennis Quaid (Jack Hall), Perry King (President Blake), Jake Gyllenhaal (Sam Hall), Nestor Serrano (Gomez), Glenn Plummer (Luther), Austin Nichols (J.D.), Ian Holm (Terry Rapson), Carl Alacchi (Venezuelan Delegate), Nassim Sharara (Saudi Delegate), Richard Zeman (Flight Director), Adrian Lester (Simon), Emmy Rossum (Laura Chapman), Sasha Roiz (Parker), Christopher Britton (Vorsteen), Japanese Astronaut), Sela Ward (Dr. Lucy Hall), Kenneth Welsh (Vice President Becker), Michel 'Gish' Abou-Samah (Saudi Translator), Russell Yuen (Hideki, Christian Tessier (Aaron), Vitali Makarov (Yuri
0319262
The Day After Tomorrow ist einer film hergestellt von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, Verwendung einer Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und Beste mit Schauspielern.
Sie sind jetzt und wo Sie in der beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in beste Video-Format zusätzlich zu, dass war besser, freigegeben als Teil Ihres Land. bewegen Sie Favoriten sofort movie, in drücken Knopfdruck! mit Hilfe eines uneingeschränkt Gesamtbetrag der Bandbreite und Inhalte zu streamen, zu beobachten was Sie wollen,, wann du willst!
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Color Timer : Michael Eaves, Foley : Glenn T. Morgan, Lighting Artist : David B. Menkes, Sound Designer : Ann Scibelli, Visual Effects Producer : Todd Isroelit, Craft Service : Chris Winn, Music Editor : Bob Beher, Executive Visual Effects Producer : Marc Sadeghi, Storyboard : Timothy Burgard, Steadicam Operator : Francois Archambault, Visual Effects : Kristen Branan, Digital Intermediate : Lorene Simpson, Propmaker : Patrice Jacques, Key Makeup Artist : Kathryn Casault, Location Manager : Kenneth E. Fix, Sound Designer : Alan Rankin, Visual Effects : Diane Macke, First Assistant Sound Editor : Victor Ray Ennis, Lighting Technician : Stéphane Byl, Makeup Artist : Sharon Ilson, Visual Effects Supervisor : Chris Watts, Casting : April Webster, Post Production Assistant : Jeff Schweikart, Unit Production Manager : Joe Dishner, Sound Engineer : John Bires, Camera Operator : Georgia Packard, Carpenter : Jane Kilkenny, Makeup Effects : Adrien Morot, Video Assist Operator : Julie Garceau, 3D Artist : Zack Judson, Visual Effects Supervisor : Karen E. Goulekas, Digital Effects Supervisor : Bryan Grill, Visual Effects Art Director : Alexander Laurant, Costume Supervisor : Robert Q. Mathews, Casting Assistant : Bryan Riley, Finance : Linda Strause, Producer : Roland Emmerich, Rigging Gaffer : Frank Dorowsky, Set Decoration Buyer : Stacy Weddington, Camera Loader : Charlie Newberry, Set Designer : Caroline Alder, Makeup Effects : Sylvania Yau, Digital Producer : Andra Bard, Visual Effects Editor : Michael Cavanaugh, Transportation Captain : John Bober, Supervising Sound Editor : Larry Kemp, Editor : David Brenner, Digital Compositors : Sean Apple, Best Boy Electric : Edison Jackson, Transportation Coordinator : Javier Gunther, Visual Effects Producer : Casey Conroy, Creature Technical Director : Vijay Myneni, ADR Editor : Kerry Dean Williams, Gaffer : Logan Leabo, Location Manager : Lily Flaschner, First Assistant Editor : Quincy Z. Gunderson, Sound Designer : Harry Cohen, Executive Producer : Stephanie Germain, Unit Publicist : Joe Everett, Production Manager : Daniel Auclair, Modeling : Yoshiya Yamada, Art Direction : Gerald Sullivan, Assistant Production Coordinator : Guylaine Boucher, Transportation Co-Captain : Spiro Tsovras, Visual Effects : Michael Leung, Second Assistant Director : Erik Ajduk, Set Designer : Stephanie Gilliam, Production Accountant : Manon Lapointe, Construction Coordinator : Rejean Brochu, Visual Effects Supervisor : Conny Fauser, Set Designer : Vincent Gingras-Liberali, Co-Producer : Thomas M. Hammel, Sound Re-Recording Mixer : Doug Hemphill, Set Designer : Alex Touikan, Software Engineer : Chamberlain Fong, Visual Effects Supervisor : Jerry Spivack, Camera Operator : Gary L. Camp, Construction Foreman : Eric Lafrance, Steadicam Operator : Gary L. Camp, Set Production Assistant : Mariana Acuña Acosta, Leadman : David M. Milstien, Systems Administrators & Support : Joe Ardent, Camera Operator : Francois Archambault, Author : Roland Emmerich, Executive Producer : Kelly Van Horn, Matchmove Supervisor : Alia Agha, Utility Stunts : Nick Brandon, Music Editor : Emanuele Arnone, Stunts : Marcello Bezina, Lighting Supervisor : Chris Wells, Assistant Property Master : Eric Bardin, Negative Cutter : Gary Burritt, Art Department Assistant : Una Martin, Camera Operator : Eric Goethals, Orchestrator : Frank Bennett, Sound Mixer : David O. Daniel, Unit Manager : Paul Boutin, Casting Associate : Scott David, Construction Coordinator : Michel Brochu, Set Decoration : Victor J. Zolfo, Camera Technician : Steven J. Winslow, 24 Frame Playback : Marie-Pierre Tétreault, Casting : Randi Wells, Special Effects Supervisor : Louis Craig, Visual Effects Supervisor : Colin Strause, Casting : Andrea Kenyon, Loader : Amelie Duceppe, Still Photographer : Kerry Hayes, Chief Lighting Technician : Jean Courteau, Sound Designer : Randy Kelley, Art Direction : Martin Gendron, Stunt Coordinator : Charlie Brewer, Production Coordinator : Danielle Boucher, Camera Operator : Bill O'Drobinak, Construction Coordinator : Alain Brochu, Conductor : Blake Neely, Supervising Art Director : Claude Paré, Rigging Grip : Richard Complaisance, Transportation Coordinator : Daniel Matthews, CG Supervisor : Sean Andrew Faden, Visual Effects Coordinator : Erica Headley, Grip : Joost Clerinx, CG Supervisor : David Prescott, I/O Supervisor : Ryan Beadle, First Assistant Camera : Michel Bernier, Visual Effects Supervisor : Greg Anderson, Visual Effects Supervisor : Rocco Passionino, Stand In : Martin Brisebois, 3D Supervisor : Rina Strause, Sound Recordist : Jon S. Trebilcock, Second Unit Cinematographer : Tom Yatsko, Costume Design : Renée April, Makeup Effects : George Tucci, Line Producer : Tavin Marin Titus, Script Supervisor : Kim Berner, Associate Producer : Kim H. Winther, CG Supervisor : Hans Uhlig, Property Master : Denis Hamel, Hairstylist : Réjean Forget, Costume Supervisor : Kenn Smiley, Pre-Visualization Supervisor : Daniel Fort, Sculptor : Lucie Fournier, Original Music Composer : Harald Kloser, Production Design : Barry Chusid, CG Supervisor : Andrew Waisler, Musician : Maria Newman, Technical Supervisor : Irfan Celik, Associate Producer : Lawrence Inglee, Set Designer : Frédéric Amblard, Original Music Composer : Thomas Wanker, Set Designer : Karl J. Martin, Techno Crane Operator : Richard Boucher, Hairstylist : Sandy DeBlasio, Makeup Artist : Elisabeth Fry, Production Illustrator : Michael Meier, Local Casting : Cate Praggastis, Executive Producer : Ute Emmerich, Director : Roland Emmerich, Rigging Gaffer : Gilles Fortier, Script Supervisor : Sophie Boyer, Location Manager : Céline Daignault, Painter : Gloria Ciraolo, Visual Effects Producer : Petra Holtorf, Visual Effects Producer : Raoul Bolognini, Set Medic : Jean Marchand, Visual Effects Producer : Jody Echegaray, Key Costumer : Valerie T. O'Brien, Scenic Artist : Donald Beaulieu, Pilot : Al Cerullo, Sculptor : Andrew Semple, Visual Effects Supervisor : Greg Strause, Producer : Mark Gordon, Director of Photography : Ueli Steiger, Makeup Effects : C.J. Goldman, Production Sound Mixer : Douglas J. Schulman, Sequence Leads : Jason Iversen, Dolly Grip : Alain Masse, Key Grip : Marc Andrus, Assistant Art Director : Camille Parent, Hairstylist : Kathryn Powell, Art Direction : Michele Laliberte, Second Unit Cinematographer : Anna Foerster, Camera Operator : Peter Hutchison, Still Photographer : Takashi Seida, Visual Effects Editor : Nicolas Anastassiou, Property Master : Claire Alary, Visual Effects Supervisor : Richard Britton, Art Direction : Réal Proulx, Set Designer : Hugo Santiago, Post Production Supervisor : Jeffrey Harlacker, Driver : Chris Haynes, Animation Supervisor : Danny Gordon Taylor, Sound Recordist : Tim Gomillion, Executive In Charge Of Production : Vanessa R. Jordan, Utility Sound : Schavaria Reeves, Art Department Coordinator : Nancy A. King, CG Supervisor : Dagan Potter, Set Dresser : Louis Dandonneau, Costume Coordinator : Lyse Pomerleau, 3D Animator : Jeremy F. Butler, Roto Supervisor : Stephanie Taubert, Camera Operator : Alfonso Maiorana, Electrician : Paul Postal, Helicopter Camera : Steve Hertler, Visual Effects Producer : Mike Chambers, Set Designer : Steve Cooper, Visual Effects Producer : Michael Meagher, Sound Effects Editor : Michael Kamper, Third Assistant Director : Paul Drouin, Art Direction : Tom Reta, Special Effects : Neil Corbould, Key Hair Stylist : Janis Clark, First Assistant Director : Kim H. Winther, First Assistant Editor : Robert Berman, Boom Operator : Timothy P. Salmon, Dialogue Editor : Daniel S. Irwin, Sound Recordist : Chris Walmer, Visual Effects Supervisor : Remo Balcells, Stunt Coordinator : Branko Racki, Construction Coordinator : Bruce Di Valerio, Sound Recordist : Dennis Rogers, Dialogue Editor : James Matheny, ADR & Dubbing : Derek Casari, Author : Jeffrey Nachmanoff, Set Costumer : Arlynn Abseck, Supervising Sound Editor : Mark P. Stoeckinger, Set Decoration : Paul Hotte, Visual Effects Supervisor : Ian Hunter
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The Day After Tomorrow (2004) Download Voll
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